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Climb Every Opera

The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world's highest peak, metaphorically speaking, is eliciting a variety of reactions. "The Dallas Observer" writes that the still-to-be-created opera EVEREST, slated for production in February of 2015, is our "most adventurous commission to date." Read Katie Womack's report on the "effortlessly more...

Rollin’ Down the River

New at "Theater Jones": the latest edition of Keith Cerny's "Off the Cuff." The Dallas Opera General Director and CEO takes this opportunity to explore why the placement of pieces in musical time matters. Read it right here. (Photo of Ganges River delta courtesy of more...


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  • Paolo Gavanelli as Rigoletto
  • Paolo Gavanelli as Rigoletto
  • Kirstin Chavez and James Valenti
  • Paolo Gavanelli as Rigoletto
  • James Valenti stars as The Duke

Score!

It was an amazing thing to see: 15 thousand people, most of whom stayed all the way through the curtain calls and many of whom–I’ll...

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Two First Names, Two Thought-Provoking Reviews

Critic Mark-Brian Sonna, who writes for John Garcia’s “The Column” has posted a couple of reviews worth reading for our current...

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Playing Catch Up – TDO Reviews

Yes, it’s been a busy week in these parts – and liable to become busier still with this weekend’s opera party for approximately...

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The Critics, Part Two

Time to begin a new page of reviews, I think, and we’ll start with Katie Womack’s smart assessment of “La traviata,” being...

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From the Desk of Artistic Director Jonathan Pell

After the matinee on Sunday of Handel’s SEMELE, bizarrely, but not unattractively transported to ancient China, and wonderfully well sung by...

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From the Desk of Artistic Director Jonathan Pell

I arrived yesterday afternoon in Toronto for a Saturday performance that oddly began at 4:30 in the afternoon.  Apparently this is one of the...

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From the Desk of Artistic Director Jonathan Pell

Congratulations are due to Michael Kahn, who directed our wonderful production of Romeo and Juliet last season, on being recognized by the Tony...

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The Running of the Bulls by Jonathan Pell

I need a statistician to figure the odds!  At last night’s opening night party following the first performance of The Magic Flute I discovered...

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Score!

It was an amazing thing to see: 15 thousand people, most of whom stayed all the way through the curtain calls and many of whom–I’ll...

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Simulcast Applauded by Thousands

FOR IMMEDIATE RELEASE: Sunday, April 29, 2012 Contact: Suzanne Calvin (214.443.1014/suzanne.calvin@dallasopera.org) Or Megan Meister...

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The Deal of the Day

Always looking for great values, “Dallas Morning News” blogger Marjorie Stanfield lasered-in on our fantastic deal for this...

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It is Drawing Nigh

I don’t think I have ever typed the words “drawing nigh” in my life, but here we are, just two days away from what appears to be...

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Rollin’ Down the River

New at “Theater Jones”: the latest edition of Keith Cerny’s “Off the Cuff.” The Dallas Opera General Director and CEO...

read more

3 Questions for Keith from Harlan Crow

In our continuing series, interesting people from the North Texas community are invited to pose three opera-related questions for Dallas Opera...

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You’re Invited – Tonight!

What’s so controversial about Arts Education? Mmmmm. Just about everything: Who funds it? Who needs it? Who gets it? Join Dallas Opera General...

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Introducing “Three Questions for Keith”

THREE QUESTIONS FOR KEITH (Why? Because You Really Want to Know) This month’s questions for Dallas Opera General Director and CEO Keith Cerny are...

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Climb Every Opera

The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world’s highest...

read more

Rollin’ Down the River

New at “Theater Jones”: the latest edition of Keith Cerny’s “Off the Cuff.” The Dallas Opera General Director and CEO...

read more

THE DALLAS OPERA PRESENTS THE NOMINATIONS FOR THE 2012...

FOR IMMEDIATE RELEASE: Monday, May 7, 2012 Contact: Suzanne Calvin (214.443.1014/suzanne.calvin@dallasopera.org) Or Megan Meister...

read more

Climb Every Opera

The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world’s highest...

read more

3 Questions for Keith from Harlan Crow

In our continuing series, interesting people from the North Texas community are invited to pose three opera-related questions for Dallas Opera...

read more

Opera’s Everyman

From “The Dallas Morning News,” Classical Music Critic Scott Cantrell examines the enduring appeal of Papageno in Mozart’s THE...

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More Videos

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It is Drawing Nigh

I don’t think I have ever typed the words “drawing nigh” in my life, but here we are, just two days away from what appears to be one of the largest opera simulcasts in American history. It’s happening Saturday at Cowboys Stadium in Arlington, presented by The Dallas Foundation, and Sandie Newton of KTVT CBS-11 [...]
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Theater Jones Videos: To The Lighthouse, Parts 2 and 3

The fascinating, behind-the-scenes look at the Dallas Opera’s new production of THE LIGHTHOUSE continues to capture our attention at Theater Jones! Here’s Part Two  followed by Part Three of the ongoing series. Kudos to Producer/Editor Emily Trube, Reporter Gregory Sullivan Isaacs, videographer Eric Shaddix, and Michael Warner. Tickets are available for this Friday, Saturday, and...
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Theater Jones Goes “Behind the Curtain”

Behind the curtain, down in the pit, at the publicity shoot, in the tech director’s office, talking with the conductor, the director and the stars: “Theater Jones” was everywhere, as the Dallas Opera and the Dallas Theater Center prepared for our chilling new production of THE LIGHTHOUSE, opening for a very limited engagement this Friday night, [...]
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