round image on layout top

Getting the ball rolling… the Beachball that is!

June 21, 2010 by Cody Rubio divider image

When celebrating Mozart’s DON GIOVANNI with a food and wine tasting, you could find yourself debating on which cultural direction to focus. Since DON GIOVANNI is an Italian opera, it’s only obvious that you should celebrate with a wine from the world’s biggest producer. On the other hand, DON GIOVANNI is set in Spain, not to mention the fundamental Spanish roots of the Don Juan legend itself, so maybe you’re leaning more towards something from the Rioja region. Well, thanks to our friends at Dali Wine Bar and Restaurant, our choice was simple – let’s have both!

This has been an exceptionally warm June so far and Sunday was no different, so Jonathan Parelli, Dali Wine Director, welcomed us with a glass of iced red or white Spanish-wine blended sangria with all the varieties of citrus fruit you would expect. He then gave an informative presentation (see video below) about the history of the Italian wines we would be enjoying while chef Joel Harloff provided an array of delicious hors d’oeuvres. All in all, we were refreshed, entertained, and among opera-loving company; what better way to kick off our Baritones & Beachballs Summer Events Series?

If you want to know what you missed, start with these delicious Italian wines found at Dali Wine Bar at One Arts Plaza:

Palagetto Chianti

Primaterra Pinot Grigio

Salvatore Principe Prosecco

The Dallas Opera’s Baritones & Beachballs Summer Event Series is presented by Skintastic.


2 Responses to Getting the ball rolling… the Beachball that is!

Your email address will not be published. Required fields are marked *

Username*

Email*

Blog / Homepage?

Comment


You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>


    TDO News

    divider image

    Climb Every Opera

    The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world’s highest peak, metaphorically speaking, is eliciting a variety of reactions. “The Dallas Observer” writes that the still-to-be-created opera EVEREST, slated for production in February of 2015, is our “most adventurous commission to...
    read more

    Rollin’ Down the River

    New at “Theater Jones”: the latest edition of Keith Cerny’s “Off the Cuff.” The Dallas Opera General Director and CEO takes this opportunity to explore why the placement of pieces in musical time matters. Read it right here. (Photo of Ganges River delta courtesy of loc.gov) Suzanne Calvin, Manager/Director Media and PR
    read more

    THE DALLAS OPERA PRESENTS THE NOMINATIONS FOR THE 2012...

    FOR IMMEDIATE RELEASE: Monday, May 7, 2012 Contact: Suzanne Calvin (214.443.1014/suzanne.calvin@dallasopera.org) Or Megan Meister (214.443.1071/megan.meister@dallasopera.org)                                                                 THE DALLAS OPERA PRESENTS THE NOMINATIONS FOR THE 2012  “MARIA CALLAS DEBUT ARTIST OF THE...
    read more

    Opera News

    divider image

    Climb Every Opera

    The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world’s highest peak, metaphorically speaking, is eliciting a variety of reactions. “The Dallas Observer” writes that the still-to-be-created opera EVEREST, slated for production in February of 2015, is our “most adventurous commission to...
    read more

    3 Questions for Keith from Harlan Crow

    In our continuing series, interesting people from the North Texas community are invited to pose three opera-related questions for Dallas Opera General Director and CEO Keith Cerny. The latest to take us up on the offer is Mr. Harlan Crow of Crow Holdings: 1. It is my understanding that the opera normally starts at 8:00 [...]
    read more

    Opera’s Everyman

    From “The Dallas Morning News,” Classical Music Critic Scott Cantrell examines the enduring appeal of Papageno in Mozart’s THE MAGIC FLUTE. We’ll give you a little hint: it’s not his manly virtues that capture our imaginations…read more here. Suzanne Calvin, Manager/Director Media & PR
    read more



bottom round image

footer blue big nice

footertop right
© 2011 Dallas Opera | All rights reserved.